@article {b6c62b0fe91742d8b85c86bd2ebd144b,
	title = {On Working with and Learning from Ornaments: An Afterword},
	journal = {Rivista degli Studi Orientali},
	volume = {90},
	number = {1-4},
	year = {2017},
	note = {Publisher Copyright: {\textcopyright} Copyright by Fabrizio Serra editor, Paisa, Roma.},
	pages = {183{\textendash}187},
	publisher = {Fabrizio Serra Editore},
	abstract = {Coming as an afterword to the six papers addressing "Condensed speech" (sam{\={a}}sokti), this short essay assesses their cumulative contribution to our understanding of Dandin{\textquoteright}s Mirror of Literature (K{\={a}}vy{\={a}}dar{\'s}a) and its impact. It tries to think of ornaments (alank{\={a}}ra) as primary tools with which we can understand aesthetic theory and practice in South Asia, and which we can also use for analyzing negotiations between its cosmopolitan and vernacular forms (negotiations wherein Dandin{\textquoteright}s Mirrorplayed a central role).},
	keywords = {Alaṅk{\={a}}ra, Dandin, Ornaments, Ruyyaka, Sam{\={a}}sokti, Sanskrit, Sinhala, Tamil, Tibetan},
	issn = {0392-4866},
	doi = {10.19272/201703804011},
	author = {Yigal Bronner}
}
